Photos (C) Câmara Municipal de Sines

Gonçalo Frota, BLITZ:

it was from Kimmo Pohjonens KTU the most positive image of the day. The accordion ran away from convention as usual, was explosive as always, and with the help of the two King Crimsons elements plus the percussionist Samuli Kosminen the rock charges took FMM to levels of physical engagement with the music not achieved untill then. The whole body was being sucked into that formation.

Mário Lopes, Diário de Notícias:

[project KTU] created on stage the spooky, infernal ambient usual in Pohjonen and departed from there to create a convulsive, ghostly music, capable of releasing gargula from its concrete skin - and them, scaring, danced slow waltzes, improvised gothic jazz, and, in the encore, rehearsed the available funk, muscular and overwhelming.

Miguel Francisco Cadete, Público:

Led by the devilish accordion of Kimmo, KTU created beautiful sets, sometimes warrior sometimes mystical, between fire and ice, in an unending horse-ride through the planes of northern Europe. Kimmos performance was, once again, intense and unexceeded, making of the music produced by his accordion a throwing weapon not to underestimate, in the company of the also intricate strikes of Trey Gunns guitar, the Kosminens sample manic manipulation and martial beat of Mastelotto.